Congress of Cultural Atlases: The Human Record
May 7-10, 2004
University of California, Berkeley

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Beyond GIS: Mindscapes, VR and Cultural Landscapes
Chair: Maurizio Forte, CNR-ITABC

Sunday, May 9, 2004

 

THE APPIA ANTICA PROJECT

M.Forte, E. Pietroni, S.Pescarin, CNR ITABC, Rome

Since 1999 the CNR ITABC (Institute of Technologies Applied to Cultural Heritage) with its Virtual Heritage Lab (VHLab) is involved in the research of an integrated methodology to acquire, elaborate and visualize archaeological landscape, through virtual reality systems.
The different techniques will be explained, together with the case studies in which they were applied: acquisition with GPS, Laser Total Station, Photomodelling and Scanner Laser.

Data acquisition and postprocessing integrate different technologies and methods in a coherent and organized system. In this way it is possible to increment the value of data documentation, representation and interpretation.

This approach allows both the creation of complex archives and the use of these data to reconstruct archaeological context in virtual reality applications. In these VR environments, the user can interact with representations characterized by many levels of detail and can access to various levels of content and possibilities of interpretation, interacting directly with the cognitive model.
The most indicated technology for a monographic representation of a structure or a monument is laser scanning that allows the digital acquisition of tridimensional objects as point clouds. The main advantage of this approach is the possibility to obtain very detailed 3D acquisitions and models characterized by high geometric resolution, that is foundamental for an accurate representation and interpretation of the monument.

Our methodological approach is oriented towards real time desktop OpenGL applications, in which the incremented cognitive value of scientific 3D reconstruction can be fully integrated with the complex informative system , composed by all the metadata associated.

This method allows a multidisciplinary critical interpretation of the monument and the landscape.